Walking in the Limits

UTSePress Research/Manakin Repository

Search UTSePress Research

Advanced Search


My Account

Show simple item record

dc.contributor.author Wallen, Lawrence en_US
dc.contributor.author Reber, Heinz en_US
dc.contributor.author Krug, Frank en_US
dc.contributor.editor en_US
dc.date.accessioned 2010-06-16T05:03:18Z
dc.date.available 2010-06-16T05:03:18Z
dc.date.issued 2006 en_US
dc.identifier 2009004712 en_US
dc.identifier.citation Wallen Lawrence, Reber Heinz, and Krug Frank 2006, 'Walking in the Limits', Berlin Volksbuhne , Gessnerallee Zurich , Festival La Batie Genf , Grand Theatre Luxembourg en_US
dc.identifier.issn en_US
dc.identifier.other L1 en_US
dc.identifier.uri http://hdl.handle.net/10453/12180
dc.description.abstract Walking in the limits is a homogenic artistic work made of sound, words and space, dealing with the understanding of space and time in a very existential sense: it reflects upon perception and illumines the structures of individual memory.a? : Isabell Hemmel, Walking in the limits, in: Tagesanzeiger Zurich, 17-8-2006 The stage space was based on a two year investigation into the supersymmetric string theory. In the case of string theory, consistency requires spacetime to have 10 (3+1+6) dimensions. The conflict between observation and theory is resolved by making the unobserved dimensions compactified. By simulating a biographical event staged over 24 hours in a hotel room in Berlin on the night that the wall fell on the 9 November 1989 and viewing these events in terms of the string theory we propose an 'observable' ten-dimensional simulation of the proposed reality offered by the string theory. Working closely with researchers at CERN in Geneva and the composer Heinz Reber the works seeks to make the invisible, visible and allow us to simulate the incomprehensible. The research goes further than illustrating a theory by proposing a new perspective on quantum physics through the disciplines of literature (Borges) Art (Wallen) and Music (Reber) by creating a fluid space in perpetual movement and ten differentiated space-time layers. en_US
dc.language English en_US
dc.publisher en_US
dc.relation.isbasedon en_US
dc.title Walking in the Limits en_US
dc.parent en_US
dc.journal.volume en_US
dc.journal.number en_US
dc.publocation Berlin Volksbuhne , Gessnerallee Zurich , Festival La Batie Genf , Grand Theatre Luxembourg en_US
dc.identifier.startpage en_US
dc.identifier.endpage en_US
dc.cauo.name DAB.School of Design en_US
dc.conference Verified OK en_US
dc.for 120300 en_US
dc.personcode 106420 en_US
dc.personcode 0000061642 en_US
dc.personcode 0000061643 en_US
dc.percentage 100 en_US
dc.classification.name Design Practice and Management en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom en_US
dc.date.activity 20060818 en_US
dc.location.activity en_US
dc.description.keywords Borges, superstring, opera, reber, stage,motion, screen en_US
dc.staffid en_US

Files in this item

This item appears in the following Collection(s)

Show simple item record