| dc.contributor.author | Hurley Andrew | en_US |
| dc.contributor.editor | Knauer W | en_US |
| dc.date.accessioned | 2010-06-16T05:02:00Z | |
| dc.date.available | 2010-06-16T05:02:00Z | |
| dc.date.issued | 2006 | en_US |
| dc.identifier | 2006009529 | en_US |
| dc.identifier.citation | Hurley Andrew 2006, 'Joachim Ernst Berendt - Jazz, U-Musik, Pop-Jazz und die Ambivalenz (1950-70)', Wolke Verlag, Hofheim, pp. 37-59. | en_US |
| dc.identifier.issn | 3-936000-03-4 | en_US |
| dc.identifier.other | E1 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10453/12090 | |
| dc.description.abstract | en_US | |
| dc.language | German | en_US |
| dc.publisher | Wolke Verlag | en_US |
| dc.relation.isbasedon | en_US | |
| dc.title | Joachim Ernst Berendt - Jazz, U-Musik, Pop-Jazz und die Ambivalenz (1950-70) | en_US |
| dc.parent | Jazz goes Pop goes Jazz. Der Jazz und sein gespaltenes Verhältnis zur Popularmusik - Darmstadter Beitrage zur Jazzforschung Band 9 | en_US |
| dc.journal.volume | 9 | en_US |
| dc.journal.number | en_US | |
| dc.publocation | Hofheim | en_US |
| dc.identifier.startpage | 37 | en_US |
| dc.identifier.endpage | 59 | en_US |
| dc.cauo.name | FASS.Faculty of Arts and Social Sciences | en_US |
| dc.conference | Verified OK | en_US |
| dc.for | 200209 | en_US |
| dc.personcode | 102435 | en_US |
| dc.percentage | 000100 | en_US |
| dc.classification.name | Multicultural, Intercultural and Cross-cultural Studies | en_US |
| dc.classification.type | FOR-08 | en_US |
| dc.edition | en_US | |
| dc.custom | 9th Darmstädter Beiträge zur Jazzforschung | en_US |
| dc.date.activity | 20050902 | en_US |
| dc.location.activity | Darmstadter, Germany | en_US |
| dc.description.keywords | en_US | |
| dc.staffid | en_US |