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  • Teaching English literature and linguistics using corpus stylistic methods 
    Bednarek Monika (Australian Systemic Functional Linguistics Association, 2008)
    This paper reports on the teaching of an interdisciplinary undergraduate seminar on English linguistics and literature at the University of Augsburg (Germany). The focus of this seminar was 19th century women¿s fiction, ...
  • Technology and power in immigration detention: Communicating fear in and about detained asylum seekers 
    Leung Linda (Massey University, 2008)
    The paper examines how fear is communicated to refugees, asylum seekers, and the public through Australia¿s immigration policy and practice. Between 1992 and 1994, Australian law moved from permitting (but not enforcing) ...
  • Through the 'I's' of Lost Time: Proust's Performative Fugue of Temps Perdu 
    Skilbeck Ruth (Monash University, 2010)
    Proust's À la recherche du temps perdu is written as an extended narrative/speech-act of memory. The paper considers the fugue poetics of Proust's act of writing transcendence performatively realised through multiple voices ...
  • Towards a Framework of Requirements for Music Learning Support Tools 
    Johnston Andrew; Edmonds Ernest (Idea Group Publishing, 2004)
    While many areas of the music industry make extensive use of information technology, the impact of interactive educational tools on instrumental music learning has been limited to date. This paper considers the ...
  • Towards a Generic Framework for Situated Collaborative Storytelling 
    Hills Damian; Pisan Yusuf; Edmonds Ernest (ACM Press, 2008)
    How we assimilate stories into our common experiences and shape culture is the field of study known as narrative intelligence. By following these assumptions and investigating theories of conversation and rhetoric, this ...
  • Towards a Supportive Technological Environment for Digital Art 
    Turner Gregory; Edmonds Ernest (Computer Human Interaction Special Interest Group (CHISIG) - The Ergonomics Society of Australia, 2003)
    This paper presents the case for extending programming languages to support digital artists engaged in technologicallv-innovativc work. The anticipated result is an "environment for building environments ", which will ...
  • Uncanny Interactions: A Digital Medium for Networked E.motion 
    Turner Gregory; Neumark Norie; Miranda Maria; Weakley Alastair (Creativity and Cognition Studio Press, 2004)
    Séa.nce: a networked glossalalia is a collaborative project involving a sound artist, visual artist, and a remotely-located interaction designer. The aim of the collaboration was to make a multiuser live performance work ...
  • Understanding the experience of interactive art: Iamascope in Beta_space 
    Costello Brigid; Muller Elizabeth; Amitani Shigeki; Edmonds Ernest (Creativity and Cognition Studios Press, 2005)
    This paper describes a study into the situated experience of interactive art. The study was conducted with audiences of the artwork Iamascope and is framed by the four categories of embodied experience that have been ...
  • Using Psychoacoustical Models for Auditory Display 
    Ferguson Samuel; Cabrera Densil; Beilharz Kirsty; Song Hong-Jun (ICAD, 2006)
    NA
  • The Utility of Design Vision: The Crisis of the Artificial 
    Roxburgh Mark (Monash University, Faculty of Art and Design, 2005)
    This research explores the effect on visual communication design of the differences between what is observed (seen), how that is recorded (documented) and what is subsequently projected to viewers (designed). Theorising ...
  • Variation in musicians' experience of creating ensemble 
    Reid Anna; Petocz Peter (Australian Association for Research in Music Education, 2003)
    In this paper, we describe a research methodology phenomenography and its application in investigating the experience of an ensemble the recorder consort Fortune in negotiating a shared conception of pieces of music being ...
  • VUE (Visualisation Using Emails) 
    Leung Linda; Humphreys Tania; Weakley Alastair (Association for the Advancement of Artificial Intelligence Press, 2008)
    The paper details the preliminary results of a research and design project for the Australasian Centre for Interaction Design¿s Virtual Communities program. The project aims to mine knowledge from an email archive through ...
  • What if Tom Wolfe was Australian? 
    Joseph Sue (The Australian Association of Writing Programs, 2008)
    Ever since Tom Wolfe wrote a thirteen page essay entitled The birth of the new journalism, eyewitness report by Tom Wolfe in the Seventies, debate has raged over what this New Journalism or literary journalism or creative ...
  • Wireless Gesture Controllers to Affect Information Sonification 
    Beilharz Kirsty (ICAD, 2005)
    This paper proposes a framework for gestural interaction with information sanification in order to both monitor data aurally and, in addition, to interact with it, transform and even modify the source data in a two-way ...
  • Words and World 
    Macris Anthony (AAWP, 2008)
    One of the paradoxes of any artistic process is the transformation of the intensities of thought and sensation into the empirical fixities of form. For novelists, the sentence, paragraph and chapter are the standard textual ...
  • Writer as Celebrity 
    Carey Gabrielle (University of Western Sydney, 2005)
    This paper looks at the phenomenon of celebrity and how it has affected publishing and the literary culture of Australia.
  • The writing cure?: ethical considerations in managing creative practice lifewriting projects 
    Joseph Sue; Rickett Carolyn (The Australian Association of Writing Programs, 2010)
    The autobiographical turn in literary studies has increasingly placed value on selfrepresentation as a strategic means of reclaiming voice, identity and agency. By and large, the narrating 'I' is circulated and read as a ...