Browsing Conference Papers by Title

UTSePress Research/Manakin Repository

Search UTSePress Research


Advanced Search

Browse

My Account

Browsing Conference Papers by Title

Sort by: Order: Results:

  • Partial reflections: interactive environments for musical exploration 
    Johnston Andrew; Marks Benjamin; Candy Linda; Edmonds Ernest (Creativity and Cognition Studios Press, 2006)
    This paper describes an ongoing project to develop interactive environments for musicians that encourage musical exploration. A process of developing software such as this, where requirements are highly dynamic and unclear ...
  • Re-framing the desktop - the GUI as image in contemporary art practice 
    Gwilt Ian (University of Plymouth, 2005)
    The notion of the Graphical User interface (GUI) as art content, refers to artworks that have enlisted the visual qualities of the GUI. These artworks investigate ideas around a computer interface aesthetic as source ...
  • Relevance assessment as an everyday experience 
    Anderson Theresa (American Society for Information Science and Technology, 2005)
  • The Rise of Digital Multimedia Systems 
    Gibson Ross (Creativity and Cognition Stdio Press, 2004)
  • Seeing eye-to-eye: Supportive transdisciplinary environments for interactive art 
    Turner Gregory; Edmonds Ernest; Weakley Alastair (IEEE CS Press, 2005)
    This paper presents findings from a study of the social and technical roles of programmers in arttechnology collaborations. Combined with a review of the supportive and obstructive roles of technology with respect to ...
  • Sound Amplification Technology and the Acousmatic Experience 
    Mulder Johannes (Institute for Psychoacousatics and Electronic Music (IPEM), 2009)
    This paper aims to link the use of sound amplification technology to the Acousmatic theory as conceived by Pierre Schaeffer. The argument pursued here is part of my multi-disciplinary PhD thesis that researches the influence ...
  • Speaking Secrets: How are untellable stories told? 
    Joseph Sue (University of Canberra, 2005)
    Speaking Secrets is a manuscript that explores voicelessness and the media. It focuses on sexuality secrets and explores what happens when they become public property. Each chapter is a piece of literary journalism, ...
  • Spheres of Influence - An Interactive Musical Work 
    Johnston Andrew; Marks Benjamin; Edmonds Ernest (Creativity Cognition Studios Press, 2005)
    In this paper we describe the development of an interactive artwork which incorporates both a musical composition and software which provides a visual and aural accompaniment. The system uses physical modeling to implement ...
  • Structuring Cellular Automata Rule Space with Attractor Basins 
    Burraston, D. M (Creativity & Cognition Studio Press, 2005)
    Complex systems such as Cellular Automata (CA) produce global behaviour based on the interactions of simple units (cells). Their evolution is specified by local interaction rules that generate some form of ordered, complex ...
  • Teaching English literature and linguistics using corpus stylistic methods 
    Bednarek Monika (Australian Systemic Functional Linguistics Association, 2008)
    This paper reports on the teaching of an interdisciplinary undergraduate seminar on English linguistics and literature at the University of Augsburg (Germany). The focus of this seminar was 19th century women¿s fiction, ...
  • Technology and power in immigration detention: Communicating fear in and about detained asylum seekers 
    Leung Linda (Massey University, 2008)
    The paper examines how fear is communicated to refugees, asylum seekers, and the public through Australia¿s immigration policy and practice. Between 1992 and 1994, Australian law moved from permitting (but not enforcing) ...
  • Through the 'I's' of Lost Time: Proust's Performative Fugue of Temps Perdu 
    Skilbeck Ruth (Monash University, 2010)
    Proust's À la recherche du temps perdu is written as an extended narrative/speech-act of memory. The paper considers the fugue poetics of Proust's act of writing transcendence performatively realised through multiple voices ...
  • Towards a Framework of Requirements for Music Learning Support Tools 
    Johnston Andrew; Edmonds Ernest (Idea Group Publishing, 2004)
    While many areas of the music industry make extensive use of information technology, the impact of interactive educational tools on instrumental music learning has been limited to date. This paper considers the ...
  • Towards a Generic Framework for Situated Collaborative Storytelling 
    Hills Damian; Pisan Yusuf; Edmonds Ernest (ACM Press, 2008)
    How we assimilate stories into our common experiences and shape culture is the field of study known as narrative intelligence. By following these assumptions and investigating theories of conversation and rhetoric, this ...
  • Towards a Supportive Technological Environment for Digital Art 
    Turner Gregory; Edmonds Ernest (Computer Human Interaction Special Interest Group (CHISIG) - The Ergonomics Society of Australia, 2003)
    This paper presents the case for extending programming languages to support digital artists engaged in technologicallv-innovativc work. The anticipated result is an "environment for building environments ", which will ...
  • Uncanny Interactions: A Digital Medium for Networked E.motion 
    Turner Gregory; Neumark Norie; Miranda Maria; Weakley Alastair (Creativity and Cognition Studio Press, 2004)
    Séa.nce: a networked glossalalia is a collaborative project involving a sound artist, visual artist, and a remotely-located interaction designer. The aim of the collaboration was to make a multiuser live performance work ...
  • Understanding the experience of interactive art: Iamascope in Beta_space 
    Costello Brigid; Muller Elizabeth; Amitani Shigeki; Edmonds Ernest (Creativity and Cognition Studios Press, 2005)
    This paper describes a study into the situated experience of interactive art. The study was conducted with audiences of the artwork Iamascope and is framed by the four categories of embodied experience that have been ...
  • Using Psychoacoustical Models for Auditory Display 
    Ferguson Samuel; Cabrera Densil; Beilharz Kirsty; Song Hong-Jun (ICAD, 2006)
    NA
  • The Utility of Design Vision: The Crisis of the Artificial 
    Roxburgh Mark (Monash University, Faculty of Art and Design, 2005)
    This research explores the effect on visual communication design of the differences between what is observed (seen), how that is recorded (documented) and what is subsequently projected to viewers (designed). Theorising ...
  • Variation in musicians' experience of creating ensemble 
    Reid Anna; Petocz Peter (Australian Association for Research in Music Education, 2003)
    In this paper, we describe a research methodology phenomenography and its application in investigating the experience of an ensemble the recorder consort Fortune in negotiating a shared conception of pieces of music being ...