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  • Can the Media take Criticism? 
    Manning Peter (Network Insight Institute, 2007)
    There is no doubt we journalists are a thin-skinned lot. The latest example is my friend George Negus in last week¿s Sydney Morning Herald TV Guide. SBS is under attack for increasing advertisements, lowering ratings and ...
  • Cellular Automata in MIDI based Computer Music 
    Burraston David; Edmonds Ernest; Livingston Dan; Miranda Eduardo Reck (International Computer Music Association, 2004)
    This paper will present a survey of electronic music and sonic art applications of Cellular Automata in the MIDI domain, and of the implications of that work for future developments. Algorithmic and computational processes ...
  • The Challenge of the ¿Post-postmodern¿ 
    Falconer Delia (Australian Association of Writing Programs, 2008)
    Using Dr Alan Kirby's essay 'The Death of Postmodernism and Beyond' as a starting point, this paper discusses his claim that we have passed from 'postmodernism' into a 'post-postmodern' era and considers what this means ...
  • Charmed circle - an interactive toy for musicians 
    Johnston Andrew; Marks Benjamin; Edmonds Ernest (Research Publishing Services, 2006)
    This paper describes the development of an interactive musical toy, designed to be used by musicians. The design process, which involved close collaboration between a composer/musician and a technician/musician, is ...
  • Computation, interaction and imagination: Into virtual space and back to reality 
    Edmonds Ernest; Candy Linda (IOS Press, 2005)
    The main aim of the research from which this paper arises is to identify requirements of computer support for creative work by investigating the work of artists and exploring the potential of new creative technology in ...
  • Creating affective visualisations for a Physiologically interactive artwork 
    Muller Elizabeth; Turner Gregory; Khut Poonkhin; Edmonds Ernest (IEEE Computer Soc, 2006)
    This paper describes an action research project based on the process of designing the visualisation of heart and breath rate data for the interactive artwork Cardiomorphologies. The project aimed to realise the affective ...
  • Creative Presence: Supporting Artistic Collaborations 
    Costello Brigid; Weakley Alastair; Edmonds Ernest (Universidad Politecnica de Valencia, 2004)
    Our discussion focuses on the design of creativity support systems. We describe a dedicated support system and the results of its evaluation. We then analyze a creative collaboration that was carried out without such ...
  • Creativity, Music and Computers: Guidelines for Computer-Based Instrumental Music Support Tools 
    Johnston Andrew (University of Tasmania, 2004)
    This paper examines requirements for computer-based tools intended to support creative development in musicians. Approaches to instrumental music pedagogy are presented and implications for those seeking to support musical ...
  • Designing a movement-based interactive experience using empirically derived personas and scenarios 
    Kan Melanie; Robertson Toni; Muller Elizabeth; Sadler Kirsten (IDWoP, 2005)
    This research project draws together two areas; interactive art and Human-Computer Interaction (HCI). This paper describes the data collection of audience behaviour in a variety of museum and gallery locations. Subsequent ...
  • Designing Online Experiences: Beyond the Tyranny of Usability 
    Leung Linda (Monash University, 2005)
    This paper critically examines the widely accepted principles of usability in web design. In particular, it investigates the work of Jakob Nielsen, whose name has become synonymous with 'user-friendliness' as a result ...
  • Different Spaces, Different Times 
    Neumark Norie (RMIT Publishing, 2005)
    This paper will investigate the different spaces and different times of radio and the Internet .. This is part of the wider question of how sound art is playing out in digital culture. I will look specifically at the ...
  • Dislocated Sound: A Survey of Improvisation in Networked Audio Platforms 
    Mills Roger (University of Technology, Sydney., 2010)
    The evolution of networked audio technologies has created unprecedented opportunities for musicians to improvise with instrumentalists from a diverse range of cultures and disciplines. As network speeds increase and latency ...
  • Dissecting Group Identity in MMOs 
    Pisan Yusuf (Eurosis-ETI, 2007)
  • Email as co-habitat in distributed organisations 
    Leung Linda; Humphreys Tania; Weakley Alastair (ACM Digital Library, 2008)
    Email has now become so ubiquitous that it has surpassed its early role as an asynchronous communication tool. Having contributed to the rise of the distributed organisation, email is being used in diverse ways and for ...
  • Enhancing information acquisition in game agents 
    Welsh Sebastian; Pisan Yusuf (CSREA, 2005)
    Significant enhancements in the capabilities of software agents can result through improving how they acquire information. Decision making depends on getting the right information, but the issue of what actually constitutes ...
  • The ethical journalist: oxymoron or aspiration? 
    Joseph Sue (The Australasian Association of Writing Programs, 2011)
    Year after year, Australian newspaper journalism cannot seem to make it out of the bottom four of the thirty most distrusted professions, pipped only by car salesmen, advertisers and estate agents. Taking an historical ...
  • Evaluating Europe ⿿ Parameters of evaluation in the British press 
    Bednarek Monika (Equinox, 2006)
  • Everything I learned from the SIMS(TM): putting games in context 
    Pisan Yusuf (IADIS, 2005)
    Integrating new technologies into the curriculum has always been difficult. Despite the recent technological advances in computer games, the rapid growth of the industry and the number of hours spent playing games, computer ...
  • Evolving Creative Practice: A Reflection on Working with Audience Experience in Cardiomorphologies 
    Khut Poonkhin; Muller Elizabeth (RMIT University, 2005)
  • Exploration & reflection in interactive: Glasspond 
    Seevinck Jennifer; Candy Linda; Edmonds Ernest (Chisig & ACM, 2006)
    Glass Pond is an interactive artwork designed to engender exploration and reflection through an intuitive, tangible interface and a simulation agent. It is being developed using iterative methods. A study has 'been ...