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  • Abstraction and interaction: an art system for white noise 
    Edmonds Ernest (The Institute of Electrical and Electronic Engineers Inc (IEEE), 2006)
    This paper describes the development of an interactive audio/visual art system and discusses both the context of the work, in abstraction and noise, and the employment of audience testing as an integral part of the process.
  • Acting interactively in a digital world 
    Danylak Roman; Edmonds Ernest (IOS Press, 2005)
    The virtual world that computation now presents to us and involves us in, otherwise known as digitisation - collapses the 'self; personal identity to which we have become accustomed to in the last four hundred years, is ...
  • Aesthetic and Auditory Enhancements for Multistream Information Sonification 
    Song H.J.; Beilharz Kirsty (DIEA, 2008)
    NA
  • Alleviating Communication Challenges in Film Scoring: An Interaction Design Approach 
    Phalip Julien; Morphett Matt; Edmonds Ernest (Association for Computing Machinery, 2007)
  • Amplifying Reflective Thinking in musical Performance 
    Johnston Andrew; Amitani Shigeki; Edmonds Ernest (ACM Press, 2005)
    In this paper we report on the development of tools that encourage both a creative and reflective approach to music-making and musical skill development. A theoretical approach to musical skill development is outlined ...
  • Attuning: A Social and Technical Study of Artist-Programmer Collaborations 
    Turner Gregory; Weakley Alastair; Zhang Yun; Edmonds Ernest (University of Sussex, 2005)
    This paper presents findings from a grounded theory study of the social and technical roles of programmers in art-technology collaborations. Combined with a review of the roles of technology with respect to helping ...
  • Audiovisual Discourse in Digital Age 
    Edmonds Ernest; Pauletto Sandra (ACM Press, 2004)
    This paper discusses art systems that employ image and sound as equal elements. This can be called the evolution of the "audiovisual discourse" in art and technology. Recent software for manipulation of audio and visual ...
  • Can the Media take Criticism? 
    Manning Peter (Network Insight Institute, 2007)
    There is no doubt we journalists are a thin-skinned lot. The latest example is my friend George Negus in last week¿s Sydney Morning Herald TV Guide. SBS is under attack for increasing advertisements, lowering ratings and ...
  • Cellular Automata in MIDI based Computer Music 
    Burraston David; Edmonds Ernest; Livingston Dan; Miranda Eduardo Reck (International Computer Music Association, 2004)
    This paper will present a survey of electronic music and sonic art applications of Cellular Automata in the MIDI domain, and of the implications of that work for future developments. Algorithmic and computational processes ...
  • The Challenge of the ¿Post-postmodern¿ 
    Falconer Delia (Australian Association of Writing Programs, 2008)
    Using Dr Alan Kirby's essay 'The Death of Postmodernism and Beyond' as a starting point, this paper discusses his claim that we have passed from 'postmodernism' into a 'post-postmodern' era and considers what this means ...
  • Charmed circle - an interactive toy for musicians 
    Johnston Andrew; Marks Benjamin; Edmonds Ernest (Research Publishing Services, 2006)
    This paper describes the development of an interactive musical toy, designed to be used by musicians. The design process, which involved close collaboration between a composer/musician and a technician/musician, is ...
  • Computation, interaction and imagination: Into virtual space and back to reality 
    Edmonds Ernest; Candy Linda (IOS Press, 2005)
    The main aim of the research from which this paper arises is to identify requirements of computer support for creative work by investigating the work of artists and exploring the potential of new creative technology in ...
  • Creating affective visualisations for a Physiologically interactive artwork 
    Muller Elizabeth; Turner Gregory; Khut Poonkhin; Edmonds Ernest (IEEE Computer Soc, 2006)
    This paper describes an action research project based on the process of designing the visualisation of heart and breath rate data for the interactive artwork Cardiomorphologies. The project aimed to realise the affective ...
  • Creative Presence: Supporting Artistic Collaborations 
    Costello Brigid; Weakley Alastair; Edmonds Ernest (Universidad Politecnica de Valencia, 2004)
    Our discussion focuses on the design of creativity support systems. We describe a dedicated support system and the results of its evaluation. We then analyze a creative collaboration that was carried out without such ...
  • Creativity, Music and Computers: Guidelines for Computer-Based Instrumental Music Support Tools 
    Johnston Andrew (University of Tasmania, 2004)
    This paper examines requirements for computer-based tools intended to support creative development in musicians. Approaches to instrumental music pedagogy are presented and implications for those seeking to support musical ...
  • Designing a movement-based interactive experience using empirically derived personas and scenarios 
    Kan Melanie; Robertson Toni; Muller Elizabeth; Sadler Kirsten (IDWoP, 2005)
    This research project draws together two areas; interactive art and Human-Computer Interaction (HCI). This paper describes the data collection of audience behaviour in a variety of museum and gallery locations. Subsequent ...
  • Designing Online Experiences: Beyond the Tyranny of Usability 
    Leung Linda (Monash University, 2005)
    This paper critically examines the widely accepted principles of usability in web design. In particular, it investigates the work of Jakob Nielsen, whose name has become synonymous with 'user-friendliness' as a result ...
  • Different Spaces, Different Times 
    Neumark Norie (RMIT Publishing, 2005)
    This paper will investigate the different spaces and different times of radio and the Internet .. This is part of the wider question of how sound art is playing out in digital culture. I will look specifically at the ...
  • Dislocated Sound: A Survey of Improvisation in Networked Audio Platforms 
    Mills Roger (University of Technology, Sydney., 2010)
    The evolution of networked audio technologies has created unprecedented opportunities for musicians to improvise with instrumentalists from a diverse range of cultures and disciplines. As network speeds increase and latency ...
  • Dissecting Group Identity in MMOs 
    Pisan Yusuf (Eurosis-ETI, 2007)