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  • Tough Leisa (East Corrimal, 2009)
    East Corrimal House is a built project that investigated how with minor renovations a suburban home's relation to the site, an isolated object on the suburban block, could be inverted. The project's stated parameters were ...
  • Hewett, B. R.; Crone, G. (BlueScope Lysaght, 2006)
  • Smith Adam (The Invisible Inc, 2005)
    Critical writing on the Australian arts is notoriously constrained by the limited number of publishing outlets and the small size of the arts community. These two factors, products of a latter-day tyranny of distance, tend ...
  • Burns David (Future Tenant Gallery, 2005)
  • Sandu Suwin; Petchey Rebecca (ABARE, 2009)
    This report analyses historical energy intensity trends and identifies key factors affecting the amount of energy consumed in all end use sectors of the Australian economy between 1989-90 and 2006-07
  • Pandolfo Berto (Indesign Publishing, 2007)
    The Safety Catch project invited a group of Australian designers to respond to the issue of safety and security. Their reaction was delivered through the medium of object design, the collection of responses formed the ...
  • Nugapitiya Mano; Healy Patrick; Boydell Spike (International Research Network on Organizing by Projects, 2009)
    'Meaning' provides a valuable concept in the explanation of project management (PM) practice. It offers an understanding of the basis of human behaviour and action. In this paper, we present a model of meaning that we ...
  • Rees Marc; Anderson Benedict (Laboral Ciudad de la Cultura, 2009)
    En Residencia was a site responsive project, conceived and curated by Marc Rees and Benedict Anderson. It took the form of an on-site inter-disciplinary laboratory that involved twenty artists (twelve from Wales and eight ...
  • Anderson Benedict; Freundt Michael (International Theatre Institute (ITI) Germany, 2008)
    The interdisciplinary event, Escalators/ 'Mobility Visions/ Bewegende Zukunft', co-curated with Michael Freundt, comprised a program of commissioned performative interventions, media installations and a symposium (27-28 ...
  • Mcneil Peter (National Gallery of Victoria, 2005)
    When an object or motif is universal, there is a tendency to trivialize it. This essay makes use of the French scholarly notion of the histoire des choses banales - everyday things - in order to elucidate a collection and ...
  • Smith Adam (ArtReview, 2006)
    The genre of art and design criticism still revolves around the publication of carefully considered studies of individual practitioners and their work. Such writing inherits conventions and difficulties that are over a ...
  • Mcneil Peter (China Central Academy of Fine Arts, 2002)
  • Facets 
    Bongers Albertus (n/a, 2009)
    Facets is an interactive video installation exploring interfaces between people and technological environment. Kaleidoscopic video images are projected on a 36 sqm. screen placed in the space, linking the player's area ...
  • Riello Giorgio; Mcneil Peter (Routledge, 2010)
    The infiuential scholar Daniel Roche wrote of seventeenth-century clothing that it 'was at the centre of debates about wealth and poverty, excess and necessity, superfluity and sufficiency, luxury and adequacy' (Roche 1994: ...
  • Clifton-Cunningham Alana (, 2009)
    Background Fashion Craft: drawn threads was aimed to highlight the creative potential of contemporary embroidery and the traditional techniques of the embroiderer. In a partnership with the Embroiderersâ¿¿ Guild of NSW, ...
  • Gwilt Alison; Rissanen Timo (, 2009)
    This project explored the issue of fashion and sustainability, specifically the way in which fashion clothing is produced, used and discarded. It highlighted a variety of sustainable strategies that addressed the problem ...
  • Riello Giorgio; Mcneil Peter (Routledge, 2010)
    The so~ca!led \\ong' eighteenth century, the period spanning from the end of the seventeenth to the beginning of the nineteenth century, has in recent decades been seen as pivotal to the history of fashion. This was not ...
  • Riello Giorgio; Mcneil Peter (Routledge, 2010)
    The idea that dress has the power \to express', that is to say that what we wear conveys meaning regarding who we are in terms of gender and class, but also who we are in terms of cultural attributes, education and taste, ...
  • Titmarsh Mark (Invitation, Floor Sheet, Directors Letter and Press Clippings, 2006)
  • Jakovich Joanne; Mcdermott Jason (DAB LAB Research Gallery, University of Technology Sydney, 2009)
    Background In the international field of architectural design, sensing and tracking technologies are under-utilised in the creation of designerly, atmospheric environments, and are applied in the moderation of environmental ...