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  • Tough, Leisa (East Corrimal, 2009)
    East Corrimal House is a built project that investigated how with minor renovations a suburban home's relation to the site, an isolated object on the suburban block, could be inverted. The project's stated parameters were ...
  • Hewett, B. R.; Crone, G. (BlueScope Lysaght, 2006)
  • Smith, Adam Jasper (The Invisible Inc, 2005)
    Critical writing on the Australian arts is notoriously constrained by the limited number of publishing outlets and the small size of the arts community. These two factors, products of a latter-day tyranny of distance, tend ...
  • Smith, Peter (Gaby Chapman The Writing Bureau, 2012)
  • Burns, David; Morris, Jason; Gray, Abigail (Future Tenant Gallery, 2005)
  • Sandu, Suwin; Petchey, Rebecca (ABARE, 2009)
    This report analyses historical energy intensity trends and identifies key factors affecting the amount of energy consumed in all end use sectors of the Australian economy between 1989-90 and 2006-07
  • Pandolfo, Berto (Indesign Publishing, 2007)
    The Safety Catch project invited a group of Australian designers to respond to the issue of safety and security. Their reaction was delivered through the medium of object design, the collection of responses formed the ...
  • Rees, Marc; Anderson, Benedict (Laboral Ciudad de la Cultura, 2009)
    En Residencia was a site responsive project, conceived and curated by Marc Rees and Benedict Anderson. It took the form of an on-site inter-disciplinary laboratory that involved twenty artists (twelve from Wales and eight ...
  • Anderson, Benedict; Freundt, Michael (International Theatre Institute (ITI) Germany, 2008)
    The interdisciplinary event, Escalators/ 'Mobility Visions/ Bewegende Zukunft', co-curated with Michael Freundt, comprised a program of commissioned performative interventions, media installations and a symposium (27-28 ...
  • Goodrum, Adam (Bombay Sapphire, 2004)
    Background The Bombay Sapphire Design Discovery Award is Australia?s richest and most prestigious design award; dedicated to rewarding excellence in design, improving and promoting awareness of design in Australia and ...
  • Mcneil, Peter (National Gallery of Victoria, 2005)
    When an object or motif is universal, there is a tendency to trivialize it. This essay makes use of the French scholarly notion of the histoire des choses banales - everyday things - in order to elucidate a collection and ...
  • Smith, Adam Jasper (ArtReview, 2006)
    The genre of art and design criticism still revolves around the publication of carefully considered studies of individual practitioners and their work. Such writing inherits conventions and difficulties that are over a ...
  • Mcneil, Peter (China Central Academy of Fine Arts, 2002)
  • Facets 
    Bongers, Bert (University of Technology, Sydney, 2009)
    Facets is an interactive video installation exploring interfaces between people and technological environment. Kaleidoscopic video images are projected on a 36 sqm. screen placed in the space, linking the player's area ...
  • Riello, Giorgio; Mcneil, Peter (Routledge, 2010)
    The infiuential scholar Daniel Roche wrote of seventeenth-century clothing that it 'was at the centre of debates about wealth and poverty, excess and necessity, superfluity and sufficiency, luxury and adequacy' (Roche ...
  • Clifton-Cunningham Alana (, 2009)
    Background Fashion Craft: drawn threads was aimed to highlight the creative potential of contemporary embroidery and the traditional techniques of the embroiderer. In a partnership with the Embroiderersâ¿¿ Guild of NSW, ...
  • Gwilt, Alison; Rissanen, Timo (, 2009)
    This project explored the issue of fashion and sustainability, specifically the way in which fashion clothing is produced, used and discarded. It highlighted a variety of sustainable strategies that addressed the problem ...
  • Karaminas, Vicki (Penrith Regional Gallery, 2007)
    This exhibition was to commemorate the track suit as a cultural and political icon.
  • Riello, Giorgio; Mcneil, Peter (Routledge, 2010)
    The so~ca!led \\ong' eighteenth century, the period spanning from the end of the seventeenth to the beginning of the nineteenth century, has in recent decades been seen as pivotal to the history of fashion. This was not ...
  • Riello, Giorgio; Mcneil, Peter (Routledge, 2010)
    The idea that dress has the power \to express', that is to say that what we wear conveys meaning regarding who we are in terms of gender and class, but also who we are in terms of cultural attributes, education and taste, ...