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  • O'Mahony, Marie; Braddock-Clarke, Sarah (The Hub, 2005)
  • Rees, Marc; Anderson, Benedict (, 2005)
    Shed*Light at ARCO International Art Fair Madrid 2005 combined selected material from 'Replica' and 'Remnants' following their Cardiff exhibition (2004) along with a live solo performance by Marc Rees entitled Normal ...
  • Anderson, Benedict; Rees, Marc; Ladd, Eddie (, 2005)
    The idea behind Settlement was literally to settle the new Divergence Dance Company (Wales' contemporary dance company) into their home in the Cardiff Millennium Centre. Commissioned by the company as co-director, designer ...
  • Mcneil, Peter (National Gallery of Victoria, 2005)
    When an object or motif is universal, there is a tendency to trivialize it. This essay makes use of the French scholarly notion of the histoire des choses banales - everyday things - in order to elucidate a collection and ...
  • DIF(_) 
    Burke, Anthony; Sant, Alison (Image IT, 2005)
    Media Installation exploring new forms of urban mapping. The project exists in multiple forms depending on the installation venue. It has been shown at SFMoMA, Beyond Media Florence, and as a commissioned piece for art ...
  • O'Mahony, Marie; Braddock-Clarke, Sarah (, 2005)
  • Anderson, Benedict (Visiting Card Productions, 2005)
    Flawed Skin: A documentary film that takes a look at the recent reconstruction of the facades of the former East German Government's 'Splendour Street' the Karl-Marx-Allee in Berlin. The film seeks to chart what kind of ...
  • P.O.V. 
    Burns, David (Mattress Factory Art Museum, 2005)
  • Mcfarlane, Don; Inman, Matthew; White, Stuart; Loh, Michael; Turner, Andrea; English, (CSIRO: Water for a Healthy Country National Research Flagship, 2005)
    Through the State Water Strategy the Government of Western Australia has committed to using Integrated Resource Planning (IRP) in its water allocation and licensing processes (Government of Western Australia, 2003). ...
  • Burns, David (Rivers Arts Festival Gallery, 2005)
  • Smith, Adam (The Invisible Inc, 2005)
    Critical writing on the Australian arts is notoriously constrained by the limited number of publishing outlets and the small size of the arts community. These two factors, products of a latter-day tyranny of distance, tend ...
  • Pandolfo, Berto (Australian Centre for Craft and Design, 2005)
    The Implied Volume series of designs emerged out of research into how voluminous forms can be achieved in object design without the need for complex, costly and restrictive industrial methods. The design outcomes: RAK (coat ...
  • Titmarsh, Mark (National Gallery of Victoria, 2005)
    Contemporary painting exhibition
  • Wallen, Lawrence; Eschler, Kristina (Istanbul Design Week, 2005)
    Galata / Karakoy: was a large-scale research project from the Institute for Design Research, University of the Arts Zurich. My contribution to this 2-year project was three site-specific urban installations in different ...
  • Wallen, Lawrence; Iglhaut, Stefan; Fujisaki, Kenkichi; Shimizu, Yasuaki (, 2005)
    Project producer : Stefan Iglhaut, Berlin Content Robots and Exhibition Design: Lawrence Wallen, Berlin Content research: Dr. Bettina Drescher, Berlin Technical realisation: Fraunhofer Institute, Dortmund Patron: ...
  • Gwilt, Ian; Bunkley, Brit (UTS, 2005)
  • Tough, Leisa (Manly Council, 2005)
    This speculative project began with an existing single brick clad steel framed house on a steep slope. Built to the maximum envelope with poor materials, an illogical layout and paucity of outdoor spaces there was little ...
  • Wallen, Lawrence; Garcia, Juan; Menchero, Jose (, 2005)
    The ongoing research with choreographer Juan Carlos Garcia and his company Lanonima Imperial is based on a continual dialogue about the body in space and its dialogue with electronic time-based media. In each iteration ...
  • O'Mahony, Marie; Braddock-Clarke, Sarah (Thames and Hudson, 2005)
    The extent to which technological advances have influenced the development of textiles and their use in design is not something that is well understood by professional designers, manufacturers, academia and the general ...
  • Clifton-Cunningham, Alana (College of Fine Art, 2005)
    Group exhibition - individual creative works x 2