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  • Goodrum Adam (, 2005)
  • Jakovich Joanne; Beilharz Kirsty (Kuandu Museum of Fine Arts, 2007)
  • Langham Edward; Dunstan Christopher; Walgenwitz Gilles; Denvir Patrick; Lederwasch Aleta; Lander Johanna (Institute for Sustainable Futures, UTS and Energetics, 2010)
    Meeting Australia's energy needs sustainably will be a major challenge for the next decade. Electricity consumption is forecast to increase by over 20 percent in the next 10 years, while peak electrical demand is ...
  • Reinmuth Gerard; Balmforth Scott; Blythe Richard (Burnie, 2009)
    Burnie Makers' Workshop represents a major investment in the future of a town on the north-west coast of Tasmania coming to terms with its post-industrial reality. Until recent times, the town has been known primarily ...
  • Seymour Aaron (UTS Gallery, 2010)
    Sheet Music and Burnt Lakes are two works created for Graphic Material, a research-focused exhibition held at the UTS Gallery from August 3-September 3, 2010. The question posed through the exhibition was: How are new ...
  • Smith Adam (Immaterial Incorporated, 2007)
    Cabinet Magazine is an influential and highly regarded quarterly journal of art and culture. Published by a small non-profit organisation in Brooklyn, New York, each issue reaches around 40,000 readers (comparable to the ...
  • Burke Anthony; Hewett Benjamin; Rice Charles; Lahoud Adrian; Jakovich Joanne; Perin Gavin (Pittsburgh Cultural Trust, 2007)
  • Mcneil Peter (Bruno Mondadori, 2010)
    Historiographic essay concerning the cultural meaning of the fashion caricature, translated from the English.
  • Titmarsh Mark (Artspace, 2008)
    A solo performance involving the making of coloured things and coloured events that related to the actions of painting.
  • Titmarsh Mark (Conny Dietzschold, 2008)
    An exhibition of Sydney artists exploring the object based nature of painting
  • Pigram David; Maxwell Iain (DAB Documents, 2010)
  • Chapman Nicholas; Croker Nadine (City Of Ryde, 2011)
    In his capacity as Ryde Council's Place Manager Major Centres, Nick Chapman was responsible for drafting the environment section of the 140 page Environment and Open Space Study. Nick's work included research of relevant ...
  • Tough Leisa (Manly Council, 2005)
    This speculative project began with an existing single brick clad steel framed house on a steep slope. Built to the maximum envelope with poor materials, an illogical layout and paucity of outdoor spaces there was little ...
  • Karaminas Vicki (McMillan Reference USA, 2007)
    This article was published in a three-volume international encyclopedia of the colonised world. My research brought together the issue of Middle Eastern fashion, identity and colonisation.
  • Finney Tarsha (Australian Galleries, 2010)
    CO-ISOLATED was an exhibition of new work by the artists Richard Goodwin, Michael Snape and David Burns. The venue was a 3000m2 industrial shed in an industrially zoned part of southern Sydney. Typically, exhibition ...
  • Gothe Jacqueline; Delys Sherre (Centre for Media Arts Innovation, UTS, 2010)
    Memory Flows, a project of the Centre for Media Arts and Innovation, UTS, culminated in an exhibition entitled 'Memory Flows: rivers, creeks and the great artesian basin' which examined the concepts of 'water, flows and ...
  • Heffer Cecilia (Historic Houses Trust, 2007)
    Commissioned Textile Design for Government House, Sydney The project was part of the Historic Houses Trust To Furnish a Future Program, a five-year refurbishment plan to redesign the interior of Government House, Sydney, ...
  • Reinmuth Gerard; Balmforth Scott; Blythe Richard (Canberra, 2006)
    Canberra is distinctive in international terms as a planned city. At the centre of the planning geometry sits the nations Parliament House. Its foreground consists of a range of buildings containing Australia's major public ...
  • Titmarsh Mark (Loose Projects, 2009)
    A survey of activities of an Artist Run Initiative Gallery, Loose Projects, that operated in the CBD between 2006 and 2007. Contains visual material and a catalogue essay from each exhibition. Both editors contributed an ...
  • Pandolfo Berto (Parcel, 2006)