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  • Robinson, Todd (UTS, 2008)
    In the field of fashion and textiles, frameworks tend to focus on fashion and dress as cultural or functional activity, media image or commodity. Alternatively, as a product of techniques, processes and materials. Less ...
  • Muller, Elizabeth (Open City Inc, 2010)
  • Sgro, Donna (Science Museum, London, 2010)
    The Morphotex Dress is one of 3 garments I have created using Morphotex fabric. Morphotex is a world first in structurally coloured fiber technology, developed by Teijin Fiber Japan, a company I worked with during my ...
  • Anderson, Benedict (National Theatre Wales, 2010)
    Postive_Negative was conceived as a two-prong sculptural installation. Positive, a two-dimensional series of recognisable boat forms, and Negative, a spatial alien not concerned with any sense of assimilation to site. It ...
  • Muller, Elizabeth (virtueel-platform, 2010)
  • Minnaert, Frank (UTS Gallery, 2006)
    My work was included in the exhibition: Transcapes, Artificial Nature 1, Digitally mediated environments, UTS Gallery, Sydney, 31 October - 23 November 2006. The exhibition focused on the use of digital technologies as ...
  • Burns, David (Partisan, 2006)
  • Wallen, Lawrence (Korean German Institute of Technology, 2007)
    Past Mapping is two twenty meter long titanium sculptural objects on permenant display in the foyer of the Korean German Institute of Technology, Digital Media City, Seoul, South Korea In the art of the cartographer ...
  • Pauldron 
    Clifton-Cunningham, Alana (The Korea Fashion & Culture Association, 2010)
    I was invited to participate in the 2010 International Fashion Art Biennale in Seoul by the Korea Fashion and Culture Association. Coinciding with the 60th Anniversary of the Korean War, the hosting of the 2010 G-20 Summit, ...
  • Clifford, Brandon; Mcgee, Wes; Pigram, David (The Young Architects Forum of Atlanta (YAF Atlanta), 2010)
    The Periscope Tower is a research output in the domain of algorithmically controlled robotic fabrication, a subset of emerging techniques of mass customisation and file-to-factory processes in the construction field. ...
  • Forsythe, Perry (Forest and Wood Products Research and Development Corporation, 2004)
    Timber has proven to be a cost effective construction soluti on for detached housing and more recently multi-unit residential construction. Despite this, timber is prone to termite attack and concerns have been raised ...
  • Bowman, Christopher (Centre for Media Arts Innovation, UTS, 2010)
    Memory Flows, a project of the Centre for Media Arts and Innovation, UTS, culminated in an exhibition entitled 'Memory Flows: rivers, creeks and the great artesian basin' which examined the concepts of 'water, flows and ...
  • Clifton-Cunningham, Alana (Vishna Collins, 2006)
  • Clifton-Cunningham, Alana (Alana Clifton-Cunningham, 2008)
    Exhibition catalogue and essay
  • Pigram, David; Hall, Perry; Blasetti, Ezio (Architectural Biennial Beijing, 2010)
  • Rutovitz, Jay (Greenpeace Africa, 2010)
    The Energy [R]evolution scenario published by Greenpeace International and the European Renewable Energy Council sets out a vision for a low-carbon energy future for South Africa (RSA) and compares it to a scenario derived ...
  • Gothe, Jacqueline (ArtTech, 2010)
    Inside Out, curated by Claire Smith, is an international touring exhibition that focuses on emerging digital design techniques and the growth of sophisticated rapid prototyping tools and methods. It features forty-six ...
  • SPK bowl 
    Pandolfo, Berto (DAB Doc, 2010)
    The SPK bowl was one of the seven projects that comprised Digifacture a practice-led investigation of industrial design and advanced manufacturing technologies, specifically, Selective Laser Sintering (SLS) and Direct Metal ...
  • Partridge, Emma; Riedy, Chris (Transgrid, 2006)
    Study of factors influencing electricity used in Newington
  • Anderson, Benedict; Bobrova, Yekaterina; Glazko, Aleksandra (Hertfordshire County Council, UK, 2010)
    This infrastructure re-development project was commissioned by the National UK Highways Agency. (it has not yet been approved or realised.) The design team consisted of Benedict Anderson (design leader), Alexandra Glazko ...