Minimalist Menace: The Necks score 'The Boys'

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dc.contributor.author Mitchell, Anthony en_US
dc.date.accessioned 2009-08-20T13:02:27Z
dc.date.available 2009-08-20T13:02:27Z
dc.date.issued 2005 en_US
dc.identifier 2005002621 en_US
dc.identifier.citation Mitchell Anthony 2005, 'Minimalist Menace: The Necks score 'The Boys'', ScreenSound Australia, LaTrobe University, vol. 18, no. 1, pp. 1-13. en_US
dc.identifier.issn 1328-9756 en_US
dc.identifier.other C1 en_US
dc.identifier.uri http://hdl.handle.net/10453/1132
dc.description.abstract The soundtrack for Rowan Woods? The boys (Australia 1997), by Sydney minimalist jazz group the Necks, provides a distinctive example of an Australian film score which contributes `cinesonic substance? to the film?s exploration of masculine violence. This article explores both the improvisational modalities of the Necks? music, and the band?s role in creating music for Woods? film. Devised according to a `juxtapositional? aesthetic responding to the film?s locations, characters and situations, the Necks? music for The boys matches the elliptic aesthetic of the film while also functioning in its own right as `cinesonic? music. en_US
dc.publisher ScreenSound Australia, LaTrobe University en_US
dc.relation.isbasedon en_US
dc.relation.isbasedon http://www.latrobe.edu.au/screeningthepast/firstrelease/fr_18/TMfr18a.html en_US
dc.title Minimalist Menace: The Necks score 'The Boys' en_US
dc.parent Screening the past en_US
dc.journal.volume 18 en_US
dc.journal.number 1 en_US
dc.publocation Melbourne, Australia en_US
dc.identifier.startpage 1 en_US
dc.identifier.endpage 13 en_US
dc.cauo.name FASS.Creative Practices Group en_US
dc.conference Verified OK en_US
dc.for 200200 en_US
dc.personcode 890011 en_US
dc.percentage 100 en_US
dc.classification.name Cultural Studies en_US
dc.classification.type FOR-08 en_US
dc.description.keywords Film music, The Necks, The Boys, Menace en_US
dc.staffid 890011 en_US


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