Australian Film and the Cultural Cold War

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dc.contributor.author McKnight, D. C en_US
dc.date.accessioned 2009-08-20T13:02:06Z
dc.date.available 2009-08-20T13:02:06Z
dc.date.issued 2004 en_US
dc.identifier 2004000405 en_US
dc.identifier.citation McKnight, D. 2004 'Australian Film and the Cultural Cold War', Media International Australia, vol. 111, pp. 118-130. en_US
dc.identifier.issn 1329-878x en_US
dc.identifier.other C1 en_US
dc.identifier.uri http://hdl.handle.net/10453/1060
dc.description.abstract This article examines whether, and in what way, anti-communism was a factor in the slow development of an Australian film industry in the 1950s and early 1960s and in the kind of film culture developed in Australia, particularly through film festivals. In particular it examines the activities of the Australian Security Intelligence Organisation (ASIO) towards left and liberal filmmakers and film lovers. It briefly examines the effect of anti-communism on the struggle for Australian content by Actors' Equity in the early years of television. en_US
dc.publisher Media International Australia en_US
dc.relation.isbasedon http://www.uq.edu.au/emsah/mia/issues/miacp111.html#mcknight en_US
dc.title Australian Film and the Cultural Cold War en_US
dc.parent Media International Australia en_US
dc.journal.volume 111 en_US
dc.journal.number en_US
dc.publocation St Lucia, Australia en_US
dc.identifier.startpage 118 en_US
dc.identifier.endpage 130 en_US
dc.cauo.name Journalism en_US


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