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<title>19 Studies in Creative Arts and Writing</title>
<link href="http://hdl.handle.net/10453/36" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/10453/36</id>
<updated>2013-04-23T15:37:18Z</updated>
<dc:date>2013-04-23T15:37:18Z</dc:date>
<entry>
<title>Not For Official Use</title>
<link href="http://hdl.handle.net/10453/19471" rel="alternate"/>
<author>
<name>Adelaide Debra</name>
</author>
<id>http://hdl.handle.net/10453/19471</id>
<updated>2012-10-12T03:38:25Z</updated>
<published>2011-01-01T00:00:00Z</published>
<summary type="text">Not For Official Use
Adelaide Debra


</summary>
<dc:date>2011-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Show or tell? It can be tricky</title>
<link href="http://hdl.handle.net/10453/19472" rel="alternate"/>
<author>
<name>Macris Anthony</name>
</author>
<id>http://hdl.handle.net/10453/19472</id>
<updated>2012-10-12T03:38:25Z</updated>
<published>2011-01-01T00:00:00Z</published>
<summary type="text">Show or tell? It can be tricky
Macris Anthony
SMH
IT'S of the great truisms of fiction writing: show, don't tell. Like all truisms, it needs to be handled with care. Showing, in its most extreme form, will lead you simply to compiling a list of objects. While you'll achieve all the concreteness and specificity you could desire, you'll also risk boring the readers stupid as they drag themselves through sentences that read like shopping lists.
</summary>
<dc:date>2011-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Call to breach final frontier of human rights.</title>
<link href="http://hdl.handle.net/10453/19473" rel="alternate"/>
<author>
<name>Macris Anthony</name>
</author>
<id>http://hdl.handle.net/10453/19473</id>
<updated>2012-10-12T03:38:25Z</updated>
<published>2011-01-01T00:00:00Z</published>
<summary type="text">Call to breach final frontier of human rights.
Macris Anthony
The Australian
It's with mixed feelings that I listen to Bill Shorten talk about how we can empower the disabled and their carers in the wake of the release of a Productivity Commission draft report that confronts their long-term needs.
</summary>
<dc:date>2011-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Orbital</title>
<link href="http://hdl.handle.net/10453/19468" rel="alternate"/>
<author>
<name>Caines Christopher</name>
</author>
<id>http://hdl.handle.net/10453/19468</id>
<updated>2012-10-12T03:38:24Z</updated>
<published>2010-01-01T00:00:00Z</published>
<summary type="text">Orbital
Caines Christopher
Sophia Kouyoumdjian
"Orbital" was both a reactive sensor driven gallery audio installation and an audio work for iPhones traveling the Sydney orbital freeway network. A series of driver monologues exploring the psychic space of suburbia and the no space of transit through the trance state of motorway driving.
</summary>
<dc:date>2010-01-01T00:00:00Z</dc:date>
</entry>
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