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<title>General</title>
<link href="http://hdl.handle.net/10453/307" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/10453/307</id>
<updated>2013-05-22T13:24:04Z</updated>
<dc:date>2013-05-22T13:24:04Z</dc:date>
<entry>
<title>A World Proof Life: Eleanor Dark, a writer in her times, 1901-1985</title>
<link href="http://hdl.handle.net/10453/20485" rel="alternate"/>
<author>
<name>Marivic, Wyndham</name>
</author>
<id>http://hdl.handle.net/10453/20485</id>
<updated>2012-12-20T01:15:14Z</updated>
<published>2007-01-01T00:00:00Z</published>
<summary type="text">A World Proof Life: Eleanor Dark, a writer in her times, 1901-1985
Marivic, Wyndham
</summary>
<dc:date>2007-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Writing Diaspora in the West: Intimacy, Identity and the New Marginalism</title>
<link href="http://hdl.handle.net/10453/7809" rel="alternate"/>
<author>
<name>Mccarthy Peter</name>
</author>
<id>http://hdl.handle.net/10453/7809</id>
<updated>2010-05-28T09:37:34Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Writing Diaspora in the West: Intimacy, Identity and the New Marginalism
Mccarthy Peter

InWriting Diaspora in the West, Peter McCarthy argues that the surveyors and theoreticians of modern human subjectivity have discovered in the margins a motherland, nourishing and nurturing them in the fantastic culture of what he terms the 'new marginalism'. This culture, McCarthy argues, is the product of a certain fantasy, the projection of a subjective homeland onto the various margins of discourse, subjectivity, history and geography that goes beyond a Left minoritarian ethos. This fantasy leads to a certain marginal affectivity, a fascination and identification with things perceived at the margins or bounds of a psychopathological homeland, especially with those who live or subsist there. McCarthy's work stands as a challenge to liberal critical orthodoxies concerning the representation of marginal experience.
</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Chen Village: Revolution to Globalization</title>
<link href="http://hdl.handle.net/10453/7810" rel="alternate"/>
<author>
<name>Chan Anita</name>
</author>
<author>
<name>Madsen Richard</name>
</author>
<author>
<name>Unger Jonathan</name>
</author>
<id>http://hdl.handle.net/10453/7810</id>
<updated>2012-03-31T20:34:23Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Chen Village: Revolution to Globalization
Chan Anita; Madsen Richard; Unger Jonathan


</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Writing Heritage: The Depiction of Indigenous Heritage in European-Australian Writings</title>
<link href="http://hdl.handle.net/10453/1647" rel="alternate"/>
<author>
<name>Davis Michael</name>
</author>
<id>http://hdl.handle.net/10453/1647</id>
<updated>2010-08-11T02:09:00Z</updated>
<published>2007-01-01T00:00:00Z</published>
<summary type="text">Writing Heritage: The Depiction of Indigenous Heritage in European-Australian Writings
Davis Michael
</summary>
<dc:date>2007-01-01T00:00:00Z</dc:date>
</entry>
</feed>
