http://hdl.handle.net/10453/303 2013-06-20T07:03:47Z 2013-06-20T07:03:47Z Macris Anthony http://hdl.handle.net/10453/12087 2010-06-16T05:01:55Z 2008-01-01T00:00:00Z

Words and World Macris Anthony Webb, J. Williams, J. One of the paradoxes of any artistic process is the transformation of the intensities of thought and sensation into the empirical fixities of form. For novelists, the sentence, paragraph and chapter are the standard textual forms that represent the richness of character, setting and event, and the insights into human nature they embody. In this paper I draw on approaches from literature, painting and poststructuralist philosophy to investigate the process by which words become worlds

2008-01-01T00:00:00Z Muller Elizabeth Jones Caitlin http://hdl.handle.net/10453/12084 2012-10-26T03:06:07Z 2009-01-01T00:00:00Z

An Indeterminate Archive for David Rokeby's Giver of Names Muller Elizabeth; Jones Caitlin Cubitt, S. and Thomas, P. This paper describes a new method developed by the authors for integrating experiential material into the documentation of media art works. It looks at the case study of David Rokeby's artwork Giver of Names, and explores how such experiential material sheds light on the nature of the work.

2009-01-01T00:00:00Z Jakovich Joanne Beilharz Kirsty http://hdl.handle.net/10453/12085 2013-05-20T06:38:06Z 2006-01-01T00:00:00Z

From Audience to Inhabitant: Interaction as a medium in architecture Jakovich Joanne; Beilharz Kirsty Lizzie Muller, Ernest Edmunds, Deborah Campbell This paper presents a framework for conceiving and implementing interaction as a medium in architecture. Architecture is the theoretical and practical art of creating a plan of a complex object or system in which the subjective mapping from a human perspective to components of the system is the core design focus. Traditional architectural design involves the specification of materials, which implement creative expression in the mediums of space, light and time. Interaction, or the reciprocal action between a human and another entity, is the basic medium of expression manipulated by the interactive artist. The aim of the paper is to outline a logical framework for considering the techniques and materials of interaction, as used in interactive art, in the context of architecture. The framework is a four-part collection of interlinking concepts that we established to define i. architecture, ii. medium, iii. interaction, and iv. interaction as a medium in architecture. Following, the implications for implementation of the framework are discussed, based on works by several hybrid artist-architects. The framework is an analytical ground point to base practice and research occurring in this emerging field of spatio-experiential design.

2006-01-01T00:00:00Z Manning Peter http://hdl.handle.net/10453/12086 2010-06-16T05:01:54Z 2007-01-01T00:00:00Z

Can the Media take Criticism? Manning Peter Papandrea, P; Armstrong, M There is no doubt we journalists are a thin-skinned lot. The latest example is my friend George Negus in last week¿s Sydney Morning Herald TV Guide. SBS is under attack for increasing advertisements, lowering ratings and bad management but George complains about other journalists who use anonymous quotes from staff. And he comes to the defence of SBS management. He¿s been around a long-time. I suspect we¿ve both in our time used tips, sources and backgrounders from people whom we have protected by suppressing their names.

2007-01-01T00:00:00Z