http://hdl.handle.net/10453/299 2013-05-20T22:32:11Z 2013-05-20T22:32:11Z De Santolo Jason http://hdl.handle.net/10453/8152 2011-10-21T03:05:39Z 2008-01-01T00:00:00Z

...fluid lines... De Santolo Jason Butt, Danny; Bywater, Jon; Paul, Nova

2008-01-01T00:00:00Z Leung Linda http://hdl.handle.net/10453/8150 2013-04-19T00:50:41Z 2008-01-01T00:00:00Z

Introduction Leung Linda Linda Leung

2008-01-01T00:00:00Z Beilharz Kirsty http://hdl.handle.net/10453/8148 2013-03-22T01:30:45Z 2006-01-01T00:00:00Z

Sonic Islands: Sound and Responsiveness Extending the Dimensions of Space Beilharz Kirsty Joanne Jakovich Designing space is an activity for all the senses, This chapter unpacks multidimensional designing, new ways to think.of designing architectures and spaces using sound and interaction (or responsiveness) as additional dimensions in negotiating and experiencing spaceand hence in its conception. Islands are unique and exciting.This discussion raises three different possibilities for integrating the sonic and interactive potential of space to elaborate the essence of the Urban Island.

2006-01-01T00:00:00Z Macris Anthony http://hdl.handle.net/10453/8149 2010-05-28T09:41:04Z 2004-01-01T00:00:00Z

Samuel Beckett, Claude Simon and the Mise En Abyme of Paradoxical Duplication Macris Anthony UHLMANN, Anthony, Sjef HOUPPERMANS, Bruno CLÉMENT In his seminal study of novelistic mise en abyme structures, The Mirror in the Text, Lucien Dällenbach identifies a type he calls the mise en abyme of paradoxical duplication. Characterised by an extreme self-reflexivity, Dällenbach explores the operations of this literary trope in the later novels of the nouveau roman, particularly those of Claude Simon and Samuel Beckett. This article explores how Simon and Beckett employ this device with radically different results, Simon's forming part of a textual poetics that engages with the material and social, while Beckett's tends to a privileging of the selfreflexivity of language.

2004-01-01T00:00:00Z