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<title>Closed</title>
<link href="http://hdl.handle.net/10453/11601" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/10453/11601</id>
<updated>2013-05-21T08:31:28Z</updated>
<dc:date>2013-05-21T08:31:28Z</dc:date>
<entry>
<title>Response to Annette Markham - How Can Qualitative Researchers Produce Work That Is Meaningful Across Time, Space and Culture</title>
<link href="http://hdl.handle.net/10453/17613" rel="alternate"/>
<author>
<name>Markham Annette</name>
</author>
<author>
<name>Lally Elaine</name>
</author>
<author>
<name>Srinivasan Ramesh</name>
</author>
<id>http://hdl.handle.net/10453/17613</id>
<updated>2012-03-12T11:24:42Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Response to Annette Markham - How Can Qualitative Researchers Produce Work That Is Meaningful Across Time, Space and Culture
Markham Annette; Lally Elaine; Srinivasan Ramesh
Annette K. Markham &amp; Nancy K. Baym

</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Paolo Bartoloni, 'On the Cultures of Exile, Translation and Writing' West Lafayette (IN) USA, Purdue University Press, 2008, pp. 166</title>
<link href="http://hdl.handle.net/10453/16863" rel="alternate"/>
<author>
<name>Mercanti Stefano</name>
</author>
<id>http://hdl.handle.net/10453/16863</id>
<updated>2012-02-02T11:15:16Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Paolo Bartoloni, 'On the Cultures of Exile, Translation and Writing' West Lafayette (IN) USA, Purdue University Press, 2008, pp. 166
Mercanti Stefano

NA
</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Researching the Zone:  Tony Barrell, the Auteur and the Institution</title>
<link href="http://hdl.handle.net/10453/16862" rel="alternate"/>
<author>
<name>Aroney Eurydice</name>
</author>
<id>http://hdl.handle.net/10453/16862</id>
<updated>2012-02-02T11:15:15Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Researching the Zone:  Tony Barrell, the Auteur and the Institution
Aroney Eurydice

Luckily for ABC radio documentary producer Tony Barrell, the answer to this question was a largely unqualified ¿yes¿. Barrell¿s prolific thirty-year career includes conventional current affairs and historically based TV and radio documentaries. However he¿s best known for his more innovative work: what he calls his ¿hybrid¿ radio programs, examined elsewhere by this author.  Described less politely as ¿weird shit¿ by one of his former managers, many of these works can be heard as aural equivalents of the avant-garde cut-up: a montage of interviews, location sound, music and found audio. The legacy of this style can be heard in the ABC Radio National program The Night Air. The Night Air is a program that continues to tease at, and subvert, rigid categories of style and content, refusing to recognise the barriers between politics and pop culture, ¿serious¿ analysis and entertainment.
</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Hair, an Introduction</title>
<link href="http://hdl.handle.net/10453/16861" rel="alternate"/>
<author>
<name>Jones Meredith</name>
</author>
<id>http://hdl.handle.net/10453/16861</id>
<updated>2012-02-02T11:15:14Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Hair, an Introduction
Jones Meredith
Suzanne Boccalatte and Meredith Jones
Welcome to the first of the TRUNK series-corporeal, personal and sensual books. They are intended to be coveted, consumable and engrossing as a whole, yet filled with short pieces so that each book can also be flipped through or dipped into at random. Each will explore a part of the human body through writing, art, design and photography.
</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
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