Browsing by Author "Muller Elizabeth"

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Browsing by Author "Muller Elizabeth"

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  • Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience 
    Edmonds Ernest; Bilda Zafer; Muller Elizabeth (Routledge Journals, Taylor & Francis Ltd, 2009)
    The paper describes a programme of research and practice in which the evaluation of interactive artworks in a public space is undertaken as part of the creative process. It explores the different perspectives involved in ...
  • Between real and ideal: Documenting media art (David Rokeby) 
    Jones Caitlin; Muller Elizabeth (M I T Press, 2008)
    This paper describes a new approach to documenting media art which seeks to place in dialogue the artist's intentions and the audience's experience. It explicitly highlights the productive tension between the ideal, ...
  • Creating affective visualisations for a Physiologically interactive artwork 
    Muller Elizabeth; Turner Gregory; Khut Poonkhin; Edmonds Ernest (IEEE Computer Soc, 2006)
    This paper describes an action research project based on the process of designing the visualisation of heart and breath rate data for the interactive artwork Cardiomorphologies. The project aimed to realise the affective ...
  • Designing a movement-based interactive experience using empirically derived personas and scenarios 
    Kan Melanie; Robertson Toni; Muller Elizabeth; Sadler Kirsten (IDWoP, 2005)
    This research project draws together two areas; interactive art and Human-Computer Interaction (HCI). This paper describes the data collection of audience behaviour in a variety of museum and gallery locations. Subsequent ...
  • Engaging with experience 
    Muller Elizabeth (CCS Press, 2006)
  • Evolving Creative Practice: A Reflection on Working with Audience Experience in Cardiomorphologies 
    Khut Poonkhin; Muller Elizabeth (RMIT University, 2005)
  • Experience Workshops 
    Robertson Toni; Muller Elizabeth; Edmonds Ernest (ACID, 2006)
    This position statement describes a method called "Experience Workshops", developed by the authors for working with expert audiences in the design of an interactive artwork. Based around the participants' experience of ...
  • George Khut - It's all about you 
    Muller Elizabeth (Novamedia, 2006)
  • An Indeterminate Archive for David Rokeby's Giver of Names 
    Muller Elizabeth; Jones Caitlin (University of Melbourne, 2009)
    This paper describes a new method developed by the authors for integrating experiential material into the documentation of media art works. It looks at the case study of David Rokeby's artwork Giver of Names, and explores ...
  • Learning from experience: A reflective curatorial practice 
    Muller Elizabeth (Libri Publishing, 2011)
  • Living Laboratories 
    Muller Elizabeth; Edmonds Ernest (AM Press, 2006)
    This paper describes the development of laboratory concepts in the making and curating of interactive art, in which the exhibition becomes a site for collaboration between curators, artists, and audiences. It describes ...
  • Living laboratories for interactive art 
    Edmonds Ernest; Muller Elizabeth (SAGE Publications, 2004)
    This paper explores the idea of the exhibition as a living laboratory in the making and curating of interactive art. It suggests that museums can act as living laboratories where curators, artists and audiences collaborate ...
  • Media Art Theory and Practice, Critical Writing, 2005-2009 
    Muller Elizabeth (Open City Inc, 2010)
  • Mirror States 
    Muller Elizabeth; Cleland Kathy (, 2008)
    Mirror States was a major exhibition of Australasian and international new media art that toured to MIC Toi Rerehiko, Auckland (16 May-- 28 June 2008) and Campbelltown Art Centre (18 July -24 August 2008)_ It was jointly ...
  • On Creative Engagement 
    Edmonds Ernest; Muller Elizabeth; Connell Matthew (SAGE Publications, 2006)
    This article is concerned with the design of interactive art systems intended for display in public locations. It reviews approaches to interactive art systems and discusses the issue of creative engagement with them by ...
  • Oral history and the media art audience 
    Muller Elizabeth (virtueel-platform, 2010)
  • Systems Aesthetics, Catalogue Essays, 2007-2010 
    Muller Elizabeth (Artspace; Museum of Contemporary Art, 2010)
    This portfolio presents three essays commissioned and published by the Museum of Contemporary Art, Sydney, and Artspace, Sydney, exploring manifestations of systems aesthetics in contemporary art. Drawing from the writing ...
  • Understanding the Experience of Interactive Art: Iamascope in Beta_Space 
    Costello Brigid; Muller Elizabeth (CCS Press, 2005)
    This paper describes a study into the situated experience of interactive art. The study was conducted with audiences of the artwork Iamascope and is framed by the four categories of embodied experience that have been ...
  • Understanding the experience of interactive art: Iamascope in Beta_space 
    Costello Brigid; Muller Elizabeth; Amitani Shigeki; Edmonds Ernest (Creativity and Cognition Studios Press, 2005)
    This paper describes a study into the situated experience of interactive art. The study was conducted with audiences of the artwork Iamascope and is framed by the four categories of embodied experience that have been ...