Browsing by Author "Edmonds Ernest"

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Browsing by Author "Edmonds Ernest"

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  • Edmonds Ernest (The Institute of Electrical and Electronic Engineers Inc (IEEE), 2006)
    This paper describes the development of an interactive audio/visual art system and discusses both the context of the work, in abstraction and noise, and the employment of audience testing as an integral part of the process.
  • Danylak Roman; Edmonds Ernest (IOS Press, 2005)
    The virtual world that computation now presents to us and involves us in, otherwise known as digitisation - collapses the 'self; personal identity to which we have become accustomed to in the last four hundred years, is ...
  • Danylak Roman; Edmonds Ernest (Australia CRC for Interaction Design, 2005)
    Multimodal Interaction has created exciting new opportunities for the future of HCI. Current interfaces are, however, becoming congested owing to the easy transformations of digitised information from one application ...
  • Phalip Julien; Morphett Matt; Edmonds Ernest (Association for Computing Machinery, 2007)
  • Johnston Andrew; Amitani Shigeki; Edmonds Ernest (ACM Press, 2005)
    In this paper we report on the development of tools that encourage both a creative and reflective approach to music-making and musical skill development. A theoretical approach to musical skill development is outlined ...
  • Edmonds Ernest (Libri Publishing, 2011)
    The chapter reviews the development of frameworks for thinking and talking about interactive art in the context of my personal practice over the last forty years. It traces a number of paths taken, from an early simple ...
  • Edmonds Ernest (IEEE, 2011)
    This paper reviews the development of frameworks for thinking and talking about interactive art in the context of my personal practice over the last forty years. It traces a number of paths taken, from an early simple ...
  • Edmonds Ernest; Bilda Zafer; Muller Elizabeth (Routledge Journals, Taylor & Francis Ltd, 2009)
    The paper describes a programme of research and practice in which the evaluation of interactive artworks in a public space is undertaken as part of the creative process. It explores the different perspectives involved in ...
  • Marks Benjamin; Johnston Andrew; Edmonds Ernest (IADIS Press, 2005)
    This paper describes the development of a computer-based music visualisation to support the development of instrumental musical skills in advanced students and professional players. The underlying pedagogical philosophy, ...
  • Edmonds Ernest (Routledge, 2010)
    Interactive art has become much more common as a result of the many ways in which the computer and the Internet have facilitated it. Issues relating to human¿computer interaction (HCI) are as important to interactive art ...
  • Edmonds Ernest (IOS Press, 2007)
  • Turner Gregory; Weakley Alastair; Zhang Yun; Edmonds Ernest (University of Sussex, 2005)
    This paper presents findings from a grounded theory study of the social and technical roles of programmers in art-technology collaborations. Combined with a review of the roles of technology with respect to helping ...
  • Edmonds Ernest; Pauletto Sandra (ACM Press, 2004)
    This paper discusses art systems that employ image and sound as equal elements. This can be called the evolution of the "audiovisual discourse" in art and technology. Recent software for manipulation of audio and visual ...
  • Dulyan Aram; Edmonds Ernest (CHISIG, 2010)
    Remotely accessible audio-based virtual tours can offer great utility for blind or vision impaired persons, eliminating the difficulties posed by travel to unfamiliar locations, and allowing truly independent exploration. ...
  • Edmonds Ernest (British Computer Society, 2010)
    The paper reviews aspects of abstract films and the notions of time that occur in them. A series of developments by the author in making various generative digital abstract, or concrete, works are described and compared ...
  • Edmonds Ernest; Fell Mark (ACM Press, 2004)
    ARTIST STATEMENT When we watch a film, we accept music as a natural part of the work. More generally, the sound track is recognised as a crucial element in the quality of the film in its total sense. However, at times the ...
  • Burraston David; Edmonds Ernest (Routledge Journals, Taylor and Francis Ltd, 2005)
    This paper will review electronic music and sonic art applications of Cellular automata (CA) in a historical and technical context. Algorithmic and computational processes have been of interest to artists for many ...
  • Burraston David; Edmonds Ernest (Royal Society of Medicine Press Ltd, 2002)
  • Burraston David; Edmonds Ernest; Livingston Dan; Miranda Eduardo Reck (International Computer Music Association, 2004)
    This paper will present a survey of electronic music and sonic art applications of Cellular Automata in the MIDI domain, and of the implications of that work for future developments. Algorithmic and computational processes ...
  • Burraston David; Edmonds Ernest; Livingston Dan; Miranda Eduardo Reck (International Computer Music Association, 2004)