Browsing by Author "Amitani Shigeki"

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Browsing by Author "Amitani Shigeki"

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  • Amplifying Reflective Thinking in musical Performance 
    Johnston Andrew; Amitani Shigeki; Edmonds Ernest (ACM Press, 2005)
    In this paper we report on the development of tools that encourage both a creative and reflective approach to music-making and musical skill development. A theoretical approach to musical skill development is outlined ...
  • Collaborative analysis framework for evaluating interactive art experience 
    Bilda Zafer; Costello Brigid; Amitani Shigeki (Thomas Telford Publishing, 2005)
  • Designing a System for Supporting the Process of Making a Video Sequence 
    Amitani Shigeki; Edmonds Ernest (Springer, 2008)
    The aim of this research is to develop a system to support video artists. We have analysed the process of making a video sequence in collaboration with an experienced video artist so that design rationales of the system ...
  • Generative Website: Visualising Possible Stories 
    Amitani Shigeki; Edmonds Ernest (Australasian CRC for Interaction Design, 2007)
  • Hypermedia for portable video players 
    Leggett Michael; Amitani Shigeki (The Institute of Electrical and Electronic Engineers Inc (IEEE), 2006)
    In this paper we propose the exploitation of high mobility portable battery operated Video Players (PVP) for the retrieval of video associated with the location in which it may be used. Reporting on an earlier ...
  • Knowledge Nebula Crystallizer for Time-Based Information 
    Amitani Shigeki; Edmonds Ernest (ACM, 2005)
    In this paper, we are going to describe a system for managing and authoring time-based information artefact, as an implementation of Knowledge Nebula Crystallizer [9]. The design rationale of the system and its implementation ...
  • A Method for Visualising Possible Contexts 
    Amitani Shigeki; Edmonds Ernest (Springer-Verlag, 2007)
    This paper presents a method for visualising possible sequences of information. Possible sequences of information segments, called contexts, scenarios, narratives, or storytellings, have been used as a tool for exploring ...
  • Our Content: Generative Montage Methods for Multimedia Data 
    Amitani Shigeki; Bilda Zafer; Hills Damian; Edmonds Ernest (IEEE Computer Society, 2009)
    This paper presents the latest results from our project â¿¿Our Contentâ¿ which aims to develop systems that generate meaningful sequences of information out of existing information. The Our Content engine is rather like ...
  • Our Content: generative montage methods for multimedia data 
    Amitani Shigeki; Bilda Zafer; Edmonds Ernest (Elsevier Science Ltd., 2008)
    The concept underlying the research reported in this paper is that of a semi-automatic system with which groups of distributed users interact, primarily by exchanging multimedia data such as short sound recordings, photographs ...
  • Practise-led strategies for interactive art research 
    Amitani Shigeki; Candy Linda; Bilda Zafer (Taylor and Francis, 2003)
    Interactive art is said to be 'created' by the people engaged in the ,active experience of it. Works are conceived and first tried out in the studio environment by the artist and then introduced to a wider audience ...
  • Shaping Forms on the Web 
    Edmonds Ernest; Amitani Shigeki (Digital Live Art Conference, 2008)
  • Shaping Forms on the Web with a Collective Memory 
    Edmonds Ernest; Amitani Shigeki (IOS Press, 2008)
  • Understanding the experience of interactive art: Iamascope in Beta_space 
    Costello Brigid; Muller Elizabeth; Amitani Shigeki; Edmonds Ernest (Creativity and Cognition Studios Press, 2005)
    This paper describes a study into the situated experience of interactive art. The study was conducted with audiences of the artwork Iamascope and is framed by the four categories of embodied experience that have been ...