General Papers
| VIRTUAL EVOLUTION - A MEMETIC CRITIQUE OF GENETIC ALGORITHMS IN DESIGN | |
| Chris Abel |
| COLLABORATION AND ALTERED PROCESSES | |
| Sean Ahlquist |
| THE EXPRESSIVE CAPACITY OF THE TIMBER FRAME | |
| Brit Andresen |
| INTEGRATION OF DESIGN AND TECHNOLOGY | |
| Mike Austin |
| TRANSFORMING METAL INTO SKIN | |
| Eugenie Keefer Bell |
| GREG LYNN'S EMBRYOLOGICAL HOUSE PROJECT: THE "TECHNOLOGY" AND METAPHORS OF METORSMOF ARCHITECTURE | |
| Karen Burns |
| PROSTHESIS, TECHNOLOGY AND TRAUMA IN THE MACHINIST FETISHES OF OMA'S VILLA AT BORDEAUX | |
| Michael Chapman, Michael Ostwald |
| ETHICO-AESTHETIC KNOW-HOW: THE ETHICAL DEPTHS OF PROCESSUAL ARCHITECTURE | |
| Pia Ednie-Brown |
| DISJUNCTIVE SYNTHESES OF (POST)DIGITAL ARCHITECTURE AND LIFE | |
| Hélène Julia Frichot |
| CODE TO CRAFT - BEYOND THE VOXEL | |
| Jerome Asher Frumar |
| FROM ART TO THE EVERYDAY: ROBIN BOYD AND THE 'WINDOWALL' | |
| Philip James Goad |
| NEW PLACE DESIGNS WITH EMERGING TECHNOLOGIES | |
| Ning Gu, Mary Lou Maher |
| DESIGN WITHOUT CAUSALITY: HEIDEGGER'S IMPOSSIBLE CHALLENGE FOR ECOLOGICALLY SUSTAINABLE ARCHITECTURE | |
| Glen Hill |
| ADVERTISING TO ARCHITECTS: CREATING DESIRE AND ESTABLISHING CREDIBILITY IN THE CASE OF ALUMINIUM | |
| Paul Hogben |
| NEW VISIONS OF THE PAST - TECHNOLOGY AND THE CREATION OF MEMORY SPACE IN SOUTH AFRICAN MUSEUMS | |
| Vicki Leibowitz |
| TRIVIAL TECHNOLOGIES OF EFFECT IN THE HOME | |
| Hannah Lewi, Wally Smith |
| (BIOLOGICAL) LIFE: THE PEDAGOGY OF AN ARCHITECTURAL CONCEPT | |
| Stephen Loo |
| COMPUTER GAMING, BIOTECHNOLOGY AND ARCHITECTURE: EMBEDDING THE INTERSECTION WITHIN AN ARCHITECTURAL CURRICULUM | |
| Russell Lowe |
| BUIILDING SKINS AS KINETIC PROCESS: SOME PRECEDENT FROM THE FINE ARTS | |
| Jules Moloney |
| "REPORTS GIVEN BY IMAGES" - FILM AS A CRITICAL MEDIUM FOR ARCHITECTURAL INTERIORITY | |
| Christine McCarthy |
| SEEING DRAWING: REPRESENTING ARCHITECTURE ON-LINE | |
| Elizabeth Musgrave, Antony Moulis |
| MEASURING ARCHITECTURE: QUESTIONING THE APPLICATION OF NON-LINEAR MATHEMATICS IN THE ANALYSIS OF HISTORIC BUILDINGS | |
| Michael Ostwald, Chris Tucker |
| ARCHITECTURAL HYPER-MODEL: CHANGING ARCHITECTURAL CONSTRUCTION DOCUMENTATION | |
| Antony Pelosi |
| PROVOCATIVE AGENTS: AGENT BASE MODELLING SYSTEMS AND THE GLOBAL PRODUCTION OF ARCHITECTURE | |
| Peter Raisbeck |
| PROSTHETIC SURFACE - DESIGN MODELS FOR A DYNAMIC ARCHITECTURE | |
| Dagmar Ingrid Elfriede Reinhardt |
| UPSTAIRS/DOWNSTAIRS: INDIA, AUSTRALIA AND THE CHANGING DIVISION OF LABOR IN 'OFFSHORE' ARCHITECTURAL PRODUCTION AND EDUCATION | |
| Peter Scriver, Paolo Tombesi, Bharat Dave, Blair Gardiner |
| INTERNAL CONSISTENCIES: REGARDING WEIGHTS AND MEASURES | |
| Elizabeth Anne Shotton |
| INSTRUMENTAL ANALOGY | |
| Gavin Perin |
| LIVING WITH THE SUN: ARCHITECTURE AND THE ASSOCIATION FOR APPLIED SOLAR ENERGY, 1954-1958 | |
| Daniel Barber |
| (A)RCHITECTURE AT THE HARDWARE STORE | |
| Cathy Smith |
| BUILDING ON TRANSIENCE: TOLERANCE AND THE SUBJECTIVE DIMENSIONS OF TECHNOLOGY | |
| William M Taylor |
| USING ALGORITHMS TO ANALYSE THE VISUAL PROPERTIES OF A BUILDINGS STYLE | |
| Chris Tucker, Michael Ostwald |
| THE SILENT HISTORY OF VERNACULAR: EMERGENT PROPERTIES AS BACKGROUND FOR STUDYING TECHNOLOGICAL EVOLUTION IN THE BUILT ENVIRONMENT | |
| Helen M Wilkins |
| THINKING BEYOND THE SQUARE: INNOVATION THEORY AND TECHNOLOGY TRANSFER AS THEY APPLY TO THE BEIJING WATER CUBE | |
| Kirsten Orr |
| THE DRAMATISATION OF 'ECO-TECHNOLOGIES' IN RECENT HIGH-RISE TOWERS | |
| Sandra Kaji-O'Grady |
| INSIDE SOLARIS: THE PRESENCE OF GAME TECHNOLOGY IN ARCHITECTURAL DESIGN | |
| Sean Pickersgill, Greg More |
| ARE YOU TALKING TO ME? WHY BIM ALONE IS NOT THE ANSWER | |
| Dominic Holzer |
| CHANCE ENCOUNTERS BETWEEN BODY AND BUILDINGS: NEW TECHNOLOGIES IN ARCHITECTURE AND DANCE | |
| Sam Spurr |
| EMERGENT PROCESSES | |
| Adrian Lahoud |
| THE ROCKET-BAROQUE PHASE OF THE ICECREAM VERNACULAR: ON REYNER BANHAM'S CRITICISM OF ARCHITECTURE AND OTHER THINGS | |
| Naomi Stead |
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