Food Cultures, co-edited by Isabelle de Solier and Jean Duruz, explores what cultural studies can offer the study of food through articles that demonstrate the many and varied ways in which food matters to individuals, communities and society, and why it should matter to cultural studies.
Amateur Economies, co-edited by Glen Fuller, Caroline Hamilton and Kirsten Seale, focuses on the shifting composition of relations that develop between and constitute the amateur and the professional. Articles address a wide range of themes, including the movement from the amateur to the professional, the character of opportunities that emerge in creative and social networks and the line between opportunity and exploitation.
Table of Contents
| Editorial | |
| Chris Healy, Katrina Schlunke | 1–3 |
Food Cultures
| Food Cultures: Introduction | |
| Isabelle de Solier, Jean Duruz | 4–8 |
| Making the Self in a Material World: Food and Moralities of Consumption | |
| Isabelle de Solier | 9–27 |
| Aunty Sylvie’s Sponge: Foodmaking, Cookbooks and Nostalgia | |
| Sian Supski | 28–49 |
| Stuffed Turkey and Pumpkin Pie: In, Through and Out of American Contexts | |
| Tamara Kohn | 50–72 |
| Tastes of the 'Mongrel' City: Geographies of Memory, Spice, Hospitality and Forgiveness | |
| Jean Duruz | 73–98 |
| Migrant Cuisine, Critical Regionalism and Gastropoetics | |
| Ben Highmore | 99–116 |
| Eating the Vernacular, Being Cosmopolitan | |
| Tammi Jonas | 117–37 |
| Cultural Studies and Food Sovereignty: Afterword | |
| Toby Miller | 138–42 |
Amateur Economies
| Working with Amateur Labour: Between Culture and Economy | |
| Glen Fuller, Caroline Hamilton, Kirsten Seale | 143–54 |
| Living and Labouring as a Music Writer | |
| Lawson Fletcher, Ramon Lobato | 155–76 |
| Symbolic Amateurs: On the Discourse of Amateurism in Contemporary Media Culture | |
| Caroline Hamilton | 177–92 |
| Parody: Affective Registers, Amateur Aesthetics and Intellectual Property | |
| Esther Milne | 193–215 |
| Exemplary Amateurism: Thoughts on DIY Urbanism | |
| Ann Deslandes | 216–27 |
| Against Amateur Economies: Spec Work Competitions and the Anti-spec Movement | |
| Helen Kennedy | 228–48 |
| The Aura of the Analogue in a Digital Age: Women’s Crafts, Creative Markets and Home-Based Labour After Etsy | |
| Susan Luckman | 249–70 |
| Towards an Archaeology of ‘Know-How’ | |
| Glen Fuller | 271–95 |
| A More Lovingly Made World | |
| McKenzie Wark | 296–304 |
Reviews
| False Economy | |
| Kirsten Seale | 305–13 |
| Complex and Troublesome Relations | |
| Victoria Esteves | 314–21 |
| Representing Affects and Non-Representational Media Theory | |
| Glen Fuller | 322–29 |
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ISSN 1837-8692 (Online)